Posted on August 4, by pminhyung I remember the old days when I used to spend all day at the beach, accompanied only by a shovel and a stick, building up my dreams on the sand.
George Gordon, Lord Byron Source George Gordon, Lord Byron and She Walks In Beauty She Walks In Beauty is a lyrical, rhyming poem that focuses on female beauty and explores the idea that physical appearance depends upon inner goodness and, if in harmony, can result in the romantic ideal of aesthetic perfection.
Often labelled a love poem, there is no direct mention of love and no suggestion of romance between speaker and subject. So, it seems that the handsome, witty, passionate poet, known for his drinking and sexual encounters, was simply struck by a beautiful woman on this occasion.
Byron did include She Walks In Beauty in his book Hebrew Songs ofa collection of lyrical poems to be put to music. Hence the steady metrical beat, use of religious language and long vowels.
Whilst the poem is clearly fixated on a female figure and her outward appearance there is also acknowledgement of an inner spiritual core, where pure thoughts and emotions lie. Modern day feminists focus on the objectification of the woman and are critical of it, understandably, but perhaps they should think about the speaker sensing the goodness emanating from this woman, the moral foundation her beauty is built on.
The caesura midway through the line places special emphasis on that word beauty - the reader has to pause at the comma - with the feminine ending to beauty contrasting with the masculine night, the first of many opposites.
And note that the enjambment, when the line continues into the next without punctuation, is vital to maintaining the sense. The female is compared to the night of cloudless climes and starry skies, a simile which needs both lines to work to full effect. Lines three and four are similar in that line three is incomplete without line four, dark and bright meet - again the duality persists.
The inversion of the iambic foot is important in line four because it reinforces the idea that these opposites exist both outwardly and inwardly. For the reader the change from iamb to trochee means that the stress comes on the first syllable - the word Meet - which alters the rhythm of the line.
The last two lines, five and six, imply that the light of the night has the qualities of skin; it can be touched tenderand that she has developed a naturally relaxed, softened approach to it. Daylight in comparison is vulgar and lacking gaudy.
Note the religious reference - heaven - which hints at the divine. Second Stanza Nuances are apparent in this first line.
If she gained or lost only a little of either the dark or light her nameless grace a second religious reference? The first line, split midway and ended by a comma, is an important focal point for it reflects the delicacy of her being.
Her natural grace moves from hair - waves in every raven tress - to face which peacefully reflects her inner thoughts, which must be pure.
Note the repeated use of certain words and phrases, which underlines meaning. The use of alliteration and internal rhyme brings musicality. The use of opposites in a line emphasis the contrasts.
Third Stanza Throughout this poem the concentration has been on the head, hair and face of the woman. This theme continues in the final stanza as the speaker introduces cheek and brow and lips - she wins people over with her glowing smile.
This focus on the positive physical attributes leads to the conclusion that morally she is also faultless - her love is innocent - she spends her time doing good - suggestive of saintly pursuits and behaviour.
She is content with her earthly existence, unsullied by life and untainted by love. Beauty The romantic poets sought to idealise beauty by exploiting the emotions.
The reactive feelings of the speaker come to life when the woman walks past, her obvious outer beauty reliant on the inner. Harmony Light and dark exist together in the psyche of this female, opposite qualities delicately balanced but producing something extra.
Mind and Body Purity of thought leads to the appearance of beauty, innocence and love combine resulting in fine features More Analysis of She Walks In Beauty - Rhyme and Metre She Walks In Beauty is a rhyming poem of 3 equal stanzas, 18 lines in total.
Metre meter in American English The dominant metre throughout is iambic tetrameter, that is four feet per line each having one unstressed syllable followed by one that is stressed. This steady rhythm produces a regular beat: The iambic foot becomes trochaic, the stressed syllable being first, the unstressed second: She Walks In Beauty - Antithesis This poem has two lines which contain opposites antithesisfor example: Beauty may be far more than skin deep but with just the slightest change, profound loss could result.
She Walks In Beauty - Literary Devices Alliteration Words beginning with consonants when close together in a line bring texture and musicality. Of cloudless climes and starry skies Line 5:Poster: "She Walks in Beauty" (Lord Byron), vintage art and historical poetry with a modern twist.
A graceful lady gathers an armful of night blossoms in this lovely Victorian illustration of by Daniel Maclise and F.W. r-bridal.com: $ She stopped when a particular poem caught her eye; one that she had always loved. "This one is my favorite," she said, showing the poem to Kristoff.
To Kristoff's surprise, it was the same poem he was reading earlier: "She Walks in Beauty" by Lord Byron. She Walks in Beauty: A Woman's Journey Through Poems audiobook written by Caroline Kennedy.
Get instant access to all your favorite books. No monthly commitment. Listen online or offline with Android, iOS, web, Chromecast, and Google Assistant. Try Google Play Audiobooks today! Basically, the imagery of this poem are nature based and they run all over the poems to reflect the theme.
She walks in Beauty Visual imagery exist in this poem "She walks in Beauty, like â€¦night of cloudless climes and starry skies" in this stanza the reader visualizes in mind. Lord Byron's Poems Summary and Analysis of "She Walks in Beauty, Like the Night" Buy Study Guide The poet describes a woman who “walks in beauty, like the night/Of cloudless climes and starry skies” (lines ).
In this lesson, students learn about the Romantics and analyse the language, structure, form and context of Byron's poem. GCSE Poetry Lesson to Support Teaching on 'She Walks in Beauty' by Lord Byron, Lesson Two: Context and Analysis contains.