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Reinventing Photography Perfection is boring. A new exhibition presents the work of seven photographers who celebrate experiment and chance Annelisa Stephan April 14, 5 min read Spin C, Marco Breuer.
They push the medium to its limits, taking advantage of what others might see as mistakes. Gelatin silver print, 5 x 7 in.
Some of the tones, patterns, colors, and textures on these petite rectangles derive from her Light paper experiments pouring and pooling developer; others reflect the history of the vintage paper itself, which has been exposed to light leaks over decades in its original packaging.
Lisa Oppenheim employed a single 19th-century negative to create a groups of darkly golden sun prints. By exposing each print to sunlight at different times of day and for varying lengths of time, she created luminous compositions that suggest 19th-century alchemical experiments and the changing moods of the sky.
Paul Getty Museum, For his sinuous Water series, James Welling plunged sheets of photographic paper into a basin, achieving through this simple act a remarkable variety of shapes, tones, and colors.
Courtesy of the artist and Regen Projects, Los Angeles. In one experiment, for example, Breuer laid a sheet of muslin on a sheet of photographic paper in the darkroom and lifted a match to it.
The light from the match created a photogram of the weave of the cloth, while the heat started to burn the paper. How far can he go? Matthew Brandt incorporates the elements of his subject into the making—or unmaking—of his photographs. For a series depicting Rainbow Lake in Wyominghe laid developed prints face down in lake water, which ate away the emulsion in unpredictable ways.
Chromogenic print, soaked in Rainbow Lake water, 30 x 40 in. Will,Matthew Brandt. For pictures of the sun, she uses sunlight; for the moon, moonlight; and for smoke, a flame. The prints are paired with same-size terracotta tiles produced in a Mexican kiln much like the one shown in his photo, but cropped out in hers.
A Drive to DIY Because they focus on process over perfection, the photographers in the show approach their work as an impassioned, physical quest. Chris McCaw customizes his own cameras, affixing military reconnaissance lenses so they function like magnifying glasses.
When he points the camera at the sun over the course of several hours—often in remote locales to which he has lugged his massive equipment—the sun sears its path into sheets of enlarging paper, which he loads into his camera instead of film, creating gashes that cast their own shadow within the frame.May 01, · "Light, Paper, Process" is an illuminating and exciting exhibition, rare in its thoughtful balance of articulated theme, historical context and respect for the integrity of the individual artists.
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At Rohinni, culture is a key to our success Our team understands their roles. They are confident in the ability that as a team we can do anything and we have a blast while changing the world.